Tag Archives: Hero Initiative

WANT: the very first Teenage Mutant Ninja Turtles drawing, auctioned TODAY! (UPDATED)

11 May

by Mike Hansen

TMNT original drawing 1983

The drawing that changed the world.

UPDATE: It sold for $71,700. Congrats to the lucky winner, and to the Hero Initiative for being able to put this money to a good cause.

ICV2 ran this story about this historic event:

…the original drawing of The Teenage Mutant Ninja Turtles that was created in Dover, New Hampshire in November of 1983 will be auctioned off this week by Heritage Auctions.  Online bidding has been going on this week with bids topping $50,000.

USA Today has more:

The first-ever illustration by TMNT creators Kevin Eastman and Peter Laird— drawn and inked one night in Dover, N.H., in November 1983, before the quartet of anthropomorphic shelled reptiles became a pop-culture phenomenon — will be up for auction this week by Heritage Auctions. Online bidding is going on now and will conclude with a live auction in Dallas on Friday. (Watch a live video feed at HA.com/Live.)

“It’s time to let go of a lot of really cool, awesome Turtle memories,” says Eastman, who was 21 and trying to break into comics when he took pencil to that 8½-by-11 sheet of paper.

Proceeds from the sale will go toward The Hero Initiative, an organization Eastman works with that helps comic creators who are without benefits pay medical bills, rent and other necessities.

…Vintage comic books at auction can go for millions of dollars — an Action Comics No. 1, featuring 1938’s first appearance of Superman, was sold for $2.1 million in December. Though the TMNTpiece is far younger, it’s one of a kind.”It is pretty unusual for the first art of any major character to come around,” says Barry Sandoval, director of operations for Heritage Auctions.

TMNT First Comics vol. 1

If you grew up in the ’80s, you either owned this or knew somebody who did.

Teenage Mutant Ninja Turtles was a huge, huge deal for me as a kid. I discovered the black-and-white comics just before the cartoon and toys became a phenomenon, and while I thought the merchandising stuff was alright, the original comics were a massive inspiration for me: you mean, comics don’t have to be in color or published by Marvel or DC to be cool? A ton of my classmates at school had copies of the classic First Comics-published color TMNT volumes – they weren’t even seen as “comic books” so much as cool books like the Calvin & Hobbes strip collections.

The first 21 or so issues of TMNT (plus Tales of the TMNT, Turtle Soup, etc.) were a huge breath of fresh air for me, and for the comics industry. The “anything-goes” approach – They’re fighting ninjas! They’re in space drinking space beer! etc. – was the first brush I’d had with the Do-It-Yourself, punk approach to art and publishing. Continue reading

Ghost Rider 2-for-1 post: Gary Friedrich appeals, and I watched Spirit of Vengeance

13 Mar

by Mike Hansen

Ghost Rider: Spirit of Vengeance

Image via Wikipedia

Blogger Daniel Best has reported that Gary Friedrich has appealed the court decision against him and his LLC regarding his claims to Marvel’s Ghost Rider as its creator (or co-creator). I’m surprised this hasn’t been mentioned elsewhere yet – if the court is willing to hear the appeal, this could have real consequences for creators who worked under the pre-Work For Hire copyright system. Regardless of how it plays out, the $17,000 judgment against Friedrich is cruel and inhumane – there’s no reason that a reasonable settlement couldn’t have been worked out.

Disney/Marvel trotted out a couple of its big guns to try to make the company look like less of a Giant Dick. Joe Quesada gets big props from me for putting the Hero Initiative in touch with Friedrich – I hope his precarious financial situation regarding his health and home gets a happy ending. Mad props go out to everyone who donated money or participated in charity auctions on Friedrich’s behalf.

The Hero Intitiative

Donate: it's a good cause! (Image via Wikipedia)

Friedrich is just one of dozens of writers and artists who worked for Marvel during the pre-contract, pre-Work For Hire era who have seen the work for which they built the foundation turned into money-making machinery for which they receive little (if any) compensation. Creators have been getting screwed Continue reading

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