Tag Archives: Retailers

I made a comic

10 Jul

by Mike Hansen

Hey everybody,

I’ve finally finished my work on my first original comics project, just in time for Comic-Con next week! WOOT!

It’s a new series called THE BEAT DOWN! and it’s written by me and drawn by comics newcomer Elvin Hernandez. Elvin’s a terrific artist, and I have a feeling he’s going to get a lot of comics work thanks to his work on this book.

Here’s the cover art for the teaser comic we’ve printed for Comic-Con, colored by Donovan Yaciuk (creator of the awesome SPACEPIG HAMADEUS series) – click to big-ify:

The Beat Down! cover

Is that sweet, or what?

Elvin’s drawing this series in no less than THREE different art styles. It’s looking pretty fantastic so far.

We’ve published a “teaser” comic that Elvin will be selling at his Comic-Con table in Artist’s Alley (booth #EE-15). If you’re at the Con, swing by and say hi!

I’ll post some more of Elvin’s art over the next few days, before I drive down to San Diego.

My Comic-Con ticket buying experience

20 Feb

by Mike Hansen

So unlike a lot of folks’ horror stories, I had no problem buying Comic-Con tickets this year.

I got a Member ID in advance. I clicked the link in the email. I read the instructions. I watched the video. I clicked the green button and waited for the screen to reload, until the webpage loaded the waiting room. I was number 450 in line. I waited for the page to refresh every two minutes, until it allowed me to purchase tickets after about 5 minutes. I bought tickets. A few hours later, I got confirmation emails.

That’s it. Feel free to hate me now.

If it makes you feel better, I’m applying for professional status (thanks to my comics writing and freelance research work for Marvel), so hopefully you won’t have to worry about me taking a paid badge from you next year.

Hot Bendy Brokeback Girls: The Modern Artist’s Reference Tool

8 Feb

by Mike Hansen

Apologies for being away for a bit, folks. I’ve had a few back-to-back deadlines for paying (and potentially paying) comics-related work lately (a few Marvel books I got to research, and a script for my first original comics project). More on that soon…

Over the last few months, there’s been renewed controversy over some superhero artists drawing completely unrealistic poses for heroes impossibly bending in midair, from Catwoman to Wolverine. I think I’ve finally found the source for their crazy-ass drawings:

female contortionist 1

“Of course I can maintain this pose in mid-air! Meow!”

female contortionist 2

“Take THAT, office furniture of evil!”

More posts real soon. Stay tuned!

Start the year with a great read

1 Jan

by Mike Hansen

It’s not comics, but it applies to comics as much as text books: Here’s a fantastic, award-winning essay on copyright and piracy, and how modern technology will make books as easy to copy and share as music and movies. (Don’t fear the length: it’s a smooth, fast read.)

Here’s a taste:

Neil Gaiman thinks that releasing a free digital copy of American Gods (2001) increased sales by three hundred per cent, and he no longer fears piracy. ‘It’s people lending books. And you can’t look at that as a lost sale,’ he says. ‘What you’re actually doing is advertising. You’re reaching more people. You’re raising awareness … And I think, basically, that’s an incredibly good thing.’ But he doesn’t know. Cory Doctorow says half a million free downloads of his Down and Out in the Magic Kingdom (2003) helped the book through five physical print runs. ‘Giving away books costs me nothing, and actually makes me money,’ he says. Maybe he knows. There is a growing body of anecdotal evidence. But nobody really knows whether that kind of strategy will work for all books and all authors, or whether it will work for long.

Most comics get scanned and uploaded to the internet as soon as they’re released, but a digital screen (even a tablet) is still not preferable in most cases. Comixology and other services have developed some workarounds for the unusual size and shape of comics pages and panels, but few comics are optimized for digital viewing – at least, for now. The future’s going to be very interesting indeed…

Goodbye, 2012

31 Dec

by Mike Hansen

goodbye 2012Another year down already? Man, where does the time go? I miss the days when I could pack in a zillion things in one day and collapse at night, instead of just trying to make progress on a few things until the day’s over. Is this what old people feel like?

I was thinking about writing what I thought of comics in 2012, but I honestly don’t have much to say. (Which probably explains the lower frequency of posts on this site in the last several months!) There were a lot of good comics in 2012, and a few great comics, and way too many comics that could have (and should have) been better. The bottom line, though, is that I LOVE COMICS, and that’s never gonna change. Putting words and pictures together as a flexible, hybrid storytelling language is the most creative and direct way of communicating and entertaining people. Thanks to the internet, more creators are reaching more people. With digital publishing and print-on-demand, the costs and barriers of entry for both producers and consumers of comics are dropping. It’s only gonna get better, folks.

(And VERY SOON, I’ll be sharing some NEW comics work of my own. I’m finishing a script for a story that’s being drawn RIGHT NOW. Can’t wait to share it.)

Have a happy and safe New Year’s celebration, everyone!

An explanation and apology to readers

16 Oct

by Mike Hansen

After a productive first couple of months, ALL DAY COMICS has been updated in fits and starts for a while now. Why? Well, it’s all my fault. I’m the one who does all of the updating, regardless of who contributes to the site. I’d originally envisioned ADC as an Ain’t It Cool-style site about comics, with contributions from several folks supporting my schedule. For various reasons, it hasn’t quite worked out that way, so thanks for sticking with the site despite the irregular posting.

So, WHY has ADC been updated so infrequently lately? Well, the main reason is that I have less free time: after being out of comics for a decade, I’m finally doing some professional comics work again. First off, I’ve been doing freelance research work for Marvel. I’ve helped out in an unofficial capacity in the past (there are a handful of Marvel books that credit me in the Special Thanks section, most recently X-MEN: BISHOP’S CROSSING), but now I’m getting to do paid research, which is really exciting and is a great outlet for my otherwise useless nerdy comics knowledge. (Since Marvel books have a long production schedule, you won’t see my pro credits in them for a while, though.)

I’m also in the process of creating some cool comics with some amazingly talented artists, and I hope to be able to share some of that work in the next few months. I can’t say much yet, except that we think we’re creating some exciting and original work, and I can’t wait to see what everyone thinks.

In the meantime, I’ll do my best to keep ADC chugging along as best I can. I’ve got a few more things to post in the next week or two – and very soon, an amazing interview that Orion conducted down at Comic-Con.


Comic-Con Report, Part 1

18 Jul

by Mike Hansen


Comic-Con (Photo credit: Scott Beale)

Now that I’m getting over the worst case of Con Crud I’ve ever contracted (congestion, fever, sore throat, the works), I can start talking about my trip to Comic-Con. This was my first year attending with a free Professional badge (see? I’m a Real Writer), and I was able to crash at a friend-of-a-friend’s condo, so this may have been my least expensive Comic-Con yet.

Unlike previous years, I wasn’t there to work a booth or shop for deals – I was there to get a publisher for the stories I’ve been writing for the past several months. I know I haven’t talked about them much publicly yet, but after seeing how one or two projects got announced with possibly similar premises, I want to ensure that I’m not accused of ripping off anyone. (But hey, ideas are cheap – it’s the execution that matters. So hopefully this is a non-issue.)

Comic-Con remains Big. Really Big. Not only is the entire convention center completely filled, but there’s off-site programming at nearby hotels, and a lot of media companies have sponsored (and taken over) nearby areas: Cryptozoic Entertainment opened its own downtown retail outlet, Cartoon Network turned the Children’s Museum and nearby playground into an Adventure Time area, Disney built a huge Frankenweenie walk-through tent, the History Channel built a huge barbeque area to promote its shows (and give out free sausages!), Microsoft took over the second floor of the Hard Rock Hotel to promote X-Box games (and give out free T-shirts), SyFy took over a whole restaurant, and (most important for me and my friends) a nearby bar hosted by CNet and Gamespot offered free drinks to Con-goers in the afternoons. There’s nothing quite like trying to learn a new videogame for the first time while getting buzzed.

As I mentioned earlier today, I stayed the hell away from all of the “hype” panels – any panels that were promoting comics, movies, TV shows, or whatever got skipped. As awesome as it can be to see your favorite stars in person, or watch some exclusive footage before anyone else, I don’t have the time nor patience anymore to stand in line for hours for something I can read about or see later. There’s just too much other stuff going on at the same time. Comic-Con’s about making hard choices.

I heard this story about the world’s greatest baseball-card find on the radio on the drive down to San Diego. I’ll never make a discovery like this: I’m already aware of pretty much everything I’ve got, and what it’s all worth. Fortunately, this knowledge allows me to make some good deals. I never pay full price, because I am a Cheap Bastard.

Speaking of good deals Continue reading

Awesome comics site TheOatmeal gets sued by website accused of stealing its content. (Yes, you read that right.)

11 Jun

by Mike Hansen

The Oatmeal

The Oatmeal (Photo credit: Wikipedia)

This is effed up on so many levels.

Matthew Inman, the creator of the terrific webcomic site, TheOatmeal.com, accused another site called FunnyJunk of allowing his comics to be reposted on its monetized site – In other words, FunnyJunk is making money off Inman without permission.

Now, I get sharing funny pictures online – everybody does it – but the big difference here appears to be that FunnyJunk has hundreds of The Oatmeal comics copied on its site, which makes money off others’ content. Inman complained about it in a blog post last year. Now FunnyJunk’s lawyer is threatening him with a federal lawsuit unless he coughs up $20,000. BuWhat?

Now Inman has posted the full attorney’s letter, with his hilarious response – he’s going to raise that 20 large, but not to give to FunnyJunk: he’s giving it to charity and rubbing his internet love in FunnyJunk’s face. Or, as he puts it,

Instead of mailing the owner of FunnyJunk the money, I’m going to send the above drawing of his mother.  I’m going to try and raise $20,000 and instead send it to the National Wildlife Federation and the American Cancer Society.

In my opinion, what FunnyJunk is doing is despicable. I think this is worth sharing with as many people as possible.

Since this is in the process of blowing up on the internet, The Oatmeal is loading pretty slowly right now. Either that, or the forces of evil are launching a DNS attack on it. But it’s well worth checking out. In the meantime, here’s The Oatmeal’s Wikipedia page.

Here’s a site that does it right: the newly launched Comic Rocket, which doesn’t scrape content from other sites, and from which every view counts as the original site’s traffic. That’s how it’s done, son.


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